Merrily We Roll Along is a compelling musical about friendship, integrity, ambition, and the choices we face in making our dreams come true. Written with the theatrically inventive concept of beginning the story at the end and moving backwards in time, Merrily We Roll Along follows the relationship between three friends through the good and bad times and ends in the climax at the start of their careers, facing their bright futures together.
WHEN: Monday, March 9, 2026 (7 - 10 pm)*
Tuesday, March 10, 2026 (7 - 10 pm)*
*Please arrive AT THE AUDITION by 8 PM. If you need an exception, email info@pioneerprod.org or text to 973-298-0821
Invited Callbacks on Sunday, March 15 (TBA)
WHERE: The Morristown United Methodist Church
50 S. Park Place, Morristown, NJ
June 19, 20, 21, 26, 27, & 28, 2026
Friday and Saturday evenings at 8 pm - Sunday matinees at 3 pm
Tuesday & Thursday evenings from 7 - 9:30 pm
Please prepare 32 bars from Sondheim or a contemporary musical. Bring sheet music in correct key - a pianist will be provided. If auditioning for a specific role, prepare the corresponding songs/sides provided below. As always, please bring a current headshot and resume.
As with most Sondheim shows, the creative team is excited to see strong actors/singers with an exceptional ability to interpret character.
Note on ages: As the six lead roles decrease in age approximately 20 years over the course of the show, the creative team is seeking artists who can inhabit this range. Frank, Mary, Charlie, and Beth will be cast in a similar age range, while Gussie and Joe will read slightly older.
Performers of all racial and ethnic backgrounds, gender identities and expressions, and performers living with disabilities are encouraged to audition. Pioneer Productions is committed to providing access, equal opportunity, and reasonable accommodation for individuals with disabilities in employment, its services, programs, and activities.
We strive to create a comfortable and safe space for artists to do their best work, so please include information regarding any accessibility needs during your audition!
The character breakdowns within this document include gender specifications that reflect the identity of the characters as written by the playwrights. However, we strongly encourage performers with any gender expression and/or gender identity to audition for any role.
Please prepare sides for the principal character you would potentially cover; see instructions for each principal character. **You may be asked to cold read a very short secondary character scene in the audition**.
All sides and music can be found in this GOOGLE DRIVE FOLDER:
https://drive.google.com/drive/folders/1fKw8eiEFvQsZQ-VCVCrMeoEBhe5THWba?usp=drive_link
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* THE ROLE OF MARY IS CAST- ALL OTHER ROLES ARE AVAILABLE
FRANKLIN SHEPARD (he/him) 35-45. Baritone. Best friends with Charley and Mary. A bright-eyed optimist in NYC with big dreams. He ranges from an influential composer to a successful film producer, but it comes with a cost. Handsome and talented but he is sometimes misled, tragic and tormented. Intimacy is required for this role.
Music: Please prepare the "Opening Doors" full company cut (mm. 231-End), as well as the "Growing Up" cut (mm. 49-65). If called back, we will ask you to prepare the "Our Time" cut (m. 45-End).
Sides: Frank Package – Frank #1 Side & Frank #2 & Charley Side
CHARLEY KRINGAS (he/him) 35-45. Baritenor. A simple but stubborn man and talented lyricist. Best friends with Frank and Mary. Has dreams as big as Frank but values his friendships and family over fame.
Music: Please prepare the "Opening Doors" full company cut (mm. 231-End), as well as the "Franklin Shepard Inc" cut (mm. 34-49). If called back, we will ask you to prepare the "Good Thing Going" cut (m. 19-End) and the "Our Time" cut (m. 45-End).
Sides: Charley Package - Charley & Mary Side & Frank #2 & Charley Side
MARY FLYNN (* This role is CAST) (she/her) 35-45. Mezzo with belt. An aspiring novelist turned theatre critic. Best friends with Charley and Frank. Has dreams as big as Frank’s and Charley’s. Witty, bitter and sarcastic.
BETH SPENCER (she/her) 35-45. Soprano. Frank’s first love, ex-wife, and mother of his child, Frank Jr. A downtrodden housewife who was once a sweet Midwestern romantic trying to chase big dreams. Intimacy is required for this role.
Music: Please prepare the "Opening Doors" full company cut (mm. 231-End), as well as the "Not A Day Goes By" cut (m. 26-End). If called back, we will ask you to prepare the "It's A Hit" cut (mm. 73-93).
Sides: Beth Package – Side #1 & Beth & Mary Side
JOE JOSEPHSON (he/him) 45-55. Baritone. Gussie Carnegie’s first husband. Big and boisterous Broadway producer who later falls on hard times.
Music: Please prepare the "Opening Doors" cut for Joe (mm. 112-145), not the full company version.
Sides: Joe Package - Side #1 & #2
GUSSIE CARNEGIE (she/her) 35-45. Mezzo-soprano with belt. Frank’s second wife. Brassy and in love with Frank. She is an up and coming Broadway star. Intimacy is required for this role.
Music: Please prepare the "Opening Doors" full company cut (mm. 231-End), as well as the "Act 2 Opening" cut (mm. 21-36). If called back, we will ask you to prepare the "Growing Up" cut (mm. 20-37).
Sides: Gussie Package – Gussie #1 & Frank & Gussie
FRANKLIN SHEPARD, JR. (he/him) age 5-8. Beth and Frank’s son. Energetic and full of hope. Sings well.
Music: Please prepare a short song of your choice that shows your range, as well as Transition 7
ENSEMBLE (10 Actors) – The Ensemble consists of comedic singer/actors. Must be able to deliver various comedic bit parts throughout the show. Ensemble roles include TERRY, TV NEWSMAN, MR. SPENCER, SCOTTY, MINISTER, JEROME, BUNKER, YOUNG SCREENWRITER, CLUB PIANIST, NBC PAGE, PHOTOGRAPHER, TYLER, DORY, TV NEWSWOMAN, RU, JUDGE, MRS. SPENCER, BARTENDER, MAKE-UP ARTIST, K.T., GIRL AUDITIONING, MEG, EVELYN and more... THE ENSEMBLE for this show is a VITAL and BUSY - there are MANY parts for good actors and singers!
Music: Please prepare the "Opening Doors" full company cut (mm 231-End), as well as the musical material for the principal character you would potentially cover; see instructions for each principal character.